Posts Tagged ‘making stuff’

Guest post: Make your own ink!

Posted August 5, 2009 by
in Cabinet of Curiosities, Pens, Paper & People | 4 comments »

IT lawyer, fountain pen enthusiast, and blogger Tom Hall is back this morning with a post on making iron gall ink.

iron-gall-ink

Where does ink come from?

From the Woolworth’s store, of course. Back right corner, bottom shelf, left hand side. Buy a bottle of Skrip for 87 cents and ride the faithful triceratops home. But that was when felt tipped pens were new and roller balls and gel pens were unheard of. Today the triceratops is out to pasture, Woolworth’s are gone and not even the art store in my little town carries pen ink. I grew so frustrated a couple years ago that I started researching how to make my own. I wanted to make a knock-out hot pink. I like gaudy colors that leap from the page.

There are lots of recipes on the Internet, but I quickly discovered a difficulty. I am not a chemist; most of what I found was beyond me. A good friend is a chemist, but when I asked him for help, he merely laughed and explained that I lacked the necessary equipment. I am still wondering whether he meant lab gear or smarts. Undaunted, I reasoned that ink predates modern industrial chemistry, so I did more research and discovered iron gall ink.

According to various Web sites, iron gall ink was the principal ink used in Europe from the 12th to the 19th Centuries. It is still prized by artists. Wikipedia offers a fine article. I was intrigued because the ink is relatively simple to make, produces a striking, permanent, black and gathering the raw materials required a trip to the woods. Plus, preparing the ink would permit me to play mad scientist for an afternoon.

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Guest post: Chinese ink sticks – a primitive beginning

Posted April 20, 2009 by
in Cabinet of Curiosities, Pens, Paper & People | 3 comments »

ks-01Entrepreneur, inventor, and QV friend Kenneth Schwartz is back today with a fascinating post about making ink from Chinese ink sticks.

I’m attracted to elemental forms of expression – having an understanding of the elements that go into creating something, particularly in my cooking, is an interest of mine. I also enjoy sharpening knives with waterstones – the simple creation of mud from stones is elemental to knife sharpening. So, with inks, it attracted me to try my hand at this primitive means of producing ink by rubbing an ‘ink stick’ to produce a slurry, suitable for making a black ink. This is an ancient technique dating back roughly 2000 years, used for brush painting. By controlling the ink’s density (these are typically made of lampblack and are thus a carbon particle ink), you have the flexibility of controlling the shading of the ink to an even greater degree than only controlling shading with your writing or painting instrument.

The ‘elements’ couldn’t be simpler – an ink stick, a stone ‘well’ or inkstone to make the ink, some water to make the slurry and a brush, or in my case a glass nib, to apply the ink to paper. The ink drawings and calligraphy have withstood the test of time with drawings having survived hundreds of years. An excellent discussion of this history and the relationship of the ink stick in Chinese culture to the scholar who used it in his studies is found here.

After the jump, learn more about Kenneth’s ink stick experiments.

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