Posts Tagged ‘handwriting’

Handwriting and fonts

Posted March 26, 2012 by
in Editorial, Pens, Paper & People | 1 comment »

Murielle passed along this site a few months ago, which allows you to create a font from your own handwriting and use it to send your friends an email.

Alas, we were both too late, because the campaign ended last June and the service is no longer active. I still wanted to blog about it, though, not just because I think it’s a practical way to personalize electronic messages, but because it brought back warm memories of other handwritten fonts I’ve encountered, like the one in the Moosewood Cookbook. (Weirdly, I can’t seem to find images of it online, and my own battered old copy is at my parents’ place.) There’s Comic Sans, of course, which designers love to hate. And there are other sites, it seems, that will turn your handwriting into a font, albeit for a fee.

Do you like or use handwritten fonts?

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The 150-year-old complaint

Posted March 7, 2012 by
in Cabinet of Curiosities, Pens, Paper & People | Add your comment »

I was flipping through this month’s issue of Scientific American when I noticed the following complaint:

Has not the curse of steel pens swept over the land until decent handwriting is almost unknown? Do not ninety-nine persons in a hundred use steel pens, and has more than one out of the ninety-nine the effrontery to say he can write with them? Lord Palmerston was quite right — the handwriting of this generation is abominable; and as new improvements in steel pens go on, that of the next will be worse.

It appeared in a section that reprints excerpts from old issues, and bore the publication date of March 1862. Plus ça change, eh? One wonders what the writer would have thought about the effects of tablet styluses…

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Happy handwriting day!

Posted January 23, 2012 by
in Announcements, Cabinet of Curiosities, Pens, Paper & People | Add your comment »

Ok, so it isn’t a real holiday. But I still think handwriting is an important cause to promote in the age of electronics… according to the Writing Instrument Manufacturer’s Association (WIMA), which sponsors it, “National Handwriting Day is a chance for all of us to re-explore the purity and power of handwriting.” It falls on January 23, in conjunction with John Hancock’s birthday, because “Hancock was the first to sign the Declaration of Independence and is famous for his large, bold signature.”

Interestingly, Western countries are not the only ones who struggle with this issue. According to a post on The Economist‘s language blog, computers and mobile phones have made Chinese characters much easier to read and look up, but harder to write from scratch:

In Chinese culture, good handwriting was long seen as indicative of moral fibre, knowledge of characters was synonymous with learning itself, and calligraphy was a great art. Now, the Chinese can avoid the drawbacks of the writing system while reading, but in avoiding those drawbacks, they are atrophying their ability to write their language with a pen. Writing on a computer is different – type in “wo” and Windows’s Chinese support will give you the most common character (the one that means “I”) first, along with the ability to choose many other characters pronounced “wo”. The software will usually find the most appropriate character for the context.

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Guest post: NaNoWriMo and young writers

Posted November 17, 2011 by
in Pens, Paper & People | Add your comment »

Brent Acuff is a middle school band director in Hutto, TX. This is his fifth year participating in NaNoWriMo and his second year mentoring a Young Writer’s Program.

I have read a lot lately about the decline of handwriting in public schools. Being a teacher in a public school myself, I would tend to agree with that statement. But I think that assumption is a little misleading. While it is true that handwriting, the act of putting pen to paper and learning to write in cursive is no longer taught in public schools, the art of writing a story is still alive and well.

I have participated in the yearly event that is NaNoWriMo for the last five years. That wonderful, sleep deprived month in which a few hundred thousand amateur, and even professional writers, tap furiously at their keyboards striving to meet a word count. Being a fan of fine pens and journals for some time, I struggle each year with the dilemma of setting aside these utensils for the necessity of the word processor. But for the other eleven months of the year you’ll find me hunched over a journal, fountain pen in hand.

My students find this fascinating. Several times each year I am asked the question, “What kind of pen is that?” and “Why are you always writing in a diary?” I can’t tell you how hard it is to explain to middle school kids that it is a journal, NOT a diary. When I explain to them that I am writing a book, their response is, gratefully, “That’s cool.” My question for them is always, “Why don’t you write one too?”

Enter the NaNoWriMo’s Young Writers Program, and the point of this post. I am pleased to say that the school where I teach, Hutto Middle School, is currently in their second year participating in the Young Writer’s Program. And the kids are excited about writing! Each day these young kids come into the classroom, excited to share their stories and current word counts. Each student sets their own word count goal. It is amazing to watch as they set their initial count, then push that goal higher and higher as their words pile up. It is infinitely gratifying as an educator and amateur writer myself to watch these students create something of their own.

And the students’ excitement has not stopped with their own stories. After reaching out to the writing community at large, several fine writing suppliers have graciously donated supplies for these writers. Much more than I ever could have expected. I never would have believed the look on these students faces when I opened the boxes to show them what was inside. Kids excited about pens, pencils, and journals?

After my experiences this year and last, I believe we need to revise our thoughts on kids and writing. To steal a sentiment from the great conductor Benjamin Zander, students are excited about and love to write… they just don’t know it yet! I invite everyone in the writing community to share their passion for the art of writing. It has certainly been an extraordinary experience for me.

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Small writing

Posted September 7, 2011 by
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Werner Herzog’s notebook, which I blogged about the other week, reminded me of a great post by John at Pencil Wrap. (I got to it via The Pen Addict and have been meaning to write about it ever since.)

As a mid-height chicken scrawler, I’m always awed by examples of small writing, which look so neat and coherent on the page. Of course, in Herzog’s case, as one of our commenters pointed out, you might go blind trying to read it.

How small (or big) is your handwriting?

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Letters and numbers and quirks

Posted August 12, 2010 by
in Editorial, Pens, Paper & People | 5 comments »

Handwriting is influenced by a number of different factors: age, patience, personality, where and how you learned to write… And although it’s a bit trivial, I love thinking about how handwriting habits evolve. I learned to write in the US, for example, but my father’s family is German, and I remember, at some point, deciding that I liked the way he wrote his K’s — something like a lopsided V with a stick angled off to one side, rather than the perpendicular line with sideways V we were taught in school. I’d now be pretty hard-pressed to write them any other way.

In junior high, I saw how my friend Elsie wrote her F’s starting from the base of the letter rather than the upper curve. After a bit of experimentation, I got used to writing them that way, too, and still do to this day. Ditto for the number 9, which I start and the base and curve, like my Russian friend Katya. I got used to using European 1′s back when I lived there, but I don’t do that anymore so as, first of all, to avoid confusion with American 7′s, but also because I suspect it might be a little pretentious. (I have, however, happily written my 7′s with a little slash through them since I was a child.)

In that sense, handwriting is like many other seemingly straightforward, insignificant habits: poke around for a bit and you can learn a lot about a person’s aspirations and affectations and patterns of thought.

I remember admiring the way an Austrian friend wrote her R’s back when I lived in Vienna, but by then it was too late to change.

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Turn Your Handwriting Into A Font

Posted August 11, 2010 by
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Browsing the counters at Fahrney’s Pens in Washington, DC, I noticed some beautiful hand-lettered signs.  They were made by one of the employees. She was kind enough to demo her skill, creating small, perfect letters effortlessly.  I was amazed.  I told her she ought to create a font from her hand-writing.

A few days later, I was busy cleaning out a closet and came upon an old Remington Rand typewriter.  I decided I wanted to start using it again–for something, maybe thank you notes. I missed the feel of the keys, and I also missed the font.  (For those of you who don’t have an old typewriter handy in the closet(!), you can go to Vintage Type for a typewriter-look to your writing.

I have terrible, horrible hand-writing, but its me. That’s one of the reasons I like to write with fountain pens is that I automatically express my individuality. Writing on the computer makes it easier to read, but much less personal.

But there is an alternative: YourFonts.com allows you to create your own OpenType fonts from your handwriting.  They even show some samples here.

It will take me more than the “few minutes” they promise to carefully prepare each letter and number, follow their instructions, locate the downloaded file on my computer and then install it successfully. More like a few hours. But I’ll have time on vacation and I would like to try. I’ll share my results in a future post on Quo Vadis Blog.  If anyone has done this and would like to show us your font, please send us a screenshot.

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Handwriting sleuths

Posted April 1, 2009 by
in Cabinet of Curiosities | Add your comment »

postcard-back

Nifty little piece on Slate last week about forensic handwriting—apparently, handwriting experts have been asked to help determine the authenticity of a postcard that was supposedly written by Linda Sohus after her 1985 disappearance. According to the article, those experts will examine:

Twenty-one distinguishing characteristics. According to one standard textbook, that’s the number of handwriting elements that may reliably help distinguish a person’s writing. These include the dimensions and proportions of the letters, the spacing both between and within words, and the way in which words and letters are connected. (In the cursive word cat, for example, does the pen line go all the way around the circular part of the a before doubling back to complete the loop?)

Of course it’s not the only intriguing aspect of the case, but I’m still curious to see what they say…

Image via.

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