Posts Tagged ‘Creativity’

Agatha Christie’s notebooks

Posted April 16, 2010 by Leah Hoffmann
in Beautiful Creations, Pens, Paper & People | Add your comment »

Agatha Christie, disorganized writer — who knew? According to an article on Slate, a newly discovered stash of notebooks reveals the “utter derangement” in her method:

Her less-than-refined writerly day began with finding her notebook, which surely she’d left right there. Then, having found a notebook (not the one she’d used yesterday), and staring in stunned amazement at the illegible chicken scratchings therein, she would finally settle down to jab at elusive characters and oil creaky plots.

At any one time, Christie would have half a dozen notebooks going … [her] promiscuous note-taking meant that any one novel or play might be distributed over multiple notebooks and many, many years.

To learn more about the notebooks, check out John Curran’s newly published book, Agatha Christie’s Secret Notebooks: Fifty Years of Mysteries in the Making.

Image via.

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Do you stand or sit when you write?

Posted April 15, 2010 by Leah Hoffmann
in Editorial, Pens, Paper & People | 4 comments »

There are a lot of things I enjoyed about that Lapham’s Quarterly chart I blogged about last week — for instance, the discovery that Victor Hugo fought procrastination by giving his clothes to a valet and telling him not to return them until he’d finished writing.

Another point that got me thinking was the fact that several authors wrote while standing up. Ernest Hemingway stood at his desk, Thomas Wolfe used the top of his refrigerator, and Emily Dickinson and Wallace Stevens composed poetry while doing chores and walking. And then there’s Jonathan Lethem, who’s jury-rigged a system that involves a treadmill and a cordless keyboard.

I have a normal desk and can’t imagine replacing it, but if I had some extra space I would love to get some sort of supplementary stand-up system… What do you think? Do you write standing up, or want to?

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User review: Lauren on the Habana

Posted April 14, 2010 by Leah Hoffmann
in Product Reviews | 2 comments »

Lauren from Prescott, Arizona took one of our large Habanas for a test drive recently; here’s what she had to say…

I’ve developed a true respect and affection for this notebook. I use it to record my textiles activity: ongoing projects, lists, dreams, materials, reference charts, etc. It’s a perfect size to throw into any type of project bag (or handbag). The construction feels ballistic solid: I imagine it will last the years it will take me to fill the journal, and that it will look as new when that time comes as it did when it arrived last November. The elastic piece that keeps the journal closed is perfect.

I use the blank pages in the front to write up reference charts, the pocket in the back for miscellaneous patterns. The Clairefontaine paper is delightful. I write mostly with a mechanical pencil or fountain pen on the paper, and both look great and hold up like new. The paper is beautiful, smooth, and accommodating. The bookmark perfect for setting the place where I’m working. (Does make me dream of a notebook with a few, different colored bookmarks! :)

Thank you so much for this wonderful notebook! It’s truly a delight. Inspirational. Practical. I’m fantasizing about one for each category of my life! (And a larger one for each of the smaller ones. :)

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Ask a pen maker

Posted April 13, 2010 by Leah Hoffmann
in Pens, Paper & People, Product Reviews, Videos | Add your comment »

Got a burning question about fountain pens, ink, or paper? This afternoon at 2:22 pm EST, Brian Goulet will be logging on to Ustream and doing a live video chat with anyone who’s interested. Last week, about 30 people joined him to discuss Brian’s writing box prototypes, ink flow with cartridges/converters, and his own personal background. He also did a couple of paper tests and comparisons, and discovered that Exaclair packing paper is fountain pen friendly (who knew?!).

This afternoon, Brian will cover some watercolors he’s been doing in the Clairefontaine Graf it sketchbooks, the J. Herbin Creapen, his personal custom pens, and whatever else people are curious about. To listen in or participate, just follow this link.

On another note, unless you’re reading this post on an RSS feed, you’ll notice that things look a little different around here this week as we launch our new design! I’ll call out some of the new features and functionalities in a separate post. In the meantime, if you have any trouble with anything on the site, please let us know.

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Cole’s cursive

Posted April 7, 2010 by Leah Hoffmann
in Beautiful Creations, Pens, Paper & People | 1 comment »

Karen tipped me off to this lovely set of doodles from reader Cole Wardell, whose blog, The Orchard, features lots more gorgeous artwork and plenty of pen and paper musings.

I love the interplay between the formal script and the informal blotches of ink… meanwhile, be sure to check out the full-sized image here (or here, shot from a different angle).

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Where and how do you write?

Posted April 6, 2010 by Leah Hoffmann
in Cabinet of Curiosities, Pens, Paper & People | 2 comments »

Very cool chart in Lapham’s Quarterly about writers and their working habits… for instance, John Cheever wrote in the basement, Edith Wharton in bed, and Friedrich Schiller in a study (with his feet sometimes submerged in cold water!).

Do you have any eccentric writing habits?

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In praise of inactivity

Posted April 5, 2010 by Leah Hoffmann
in Editorial, Pens, Paper & People | 7 comments »

Like many writers, I often fantasize about having a physically active job — something like carpentry or construction, where I’d use my hands to do more than type and scribble, and end each day with an actual object I’d created. If you break it down, I suppose those are two very different dreams: the first about just being able to get off my bum more often, the second about creating something that’s not so maddeningly conceptual. I don’t know if visual artists share the same anxiety (it probably depends how you work), but if you spend an entire day writing, it’s quite possible you’ll have literally nothing to show for it when you’re “done,” or not until much, much later.

Of course, the grass is always greener, and the reality of a physically demanding job is doubtless very different than I picture it to be — for one thing, the exhaustion. From where I sit right now, elevating a sprained ankle on my desk as I work (dark porch, one too many steps), writing is a pretty great occupation, at least until I have to hobble downstairs to make my coffee.

Do you fantasize about having a less deskbound career?

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The purpose-driven notebook

Posted January 8, 2010 by Leah Hoffmann
in Editorial, Pens, Paper & People | 4 comments »

Habana ivory

Stephanie forwarded a link to this terrific post at A Penchant for Paper about deciding what to do with a new Habana notebook.

Should I just keep it for the future? … Perhaps it would be better suited to a pocket-sized, portable sketchbook? Or perhaps I could use it to write poetry in. Or perhaps to keep notes on the books that I am reading, and lists of books I want to read in the future. Or perhaps…

I often purchase notebooks for specific purposes — a Bloc No. 8 to use as a reporter’s notebook (fits handily into back pockets), a Steno pad to keep on my desk for work-related to-do lists (the red line down the center helps divide essential from inessential tasks). But there’s something really lovely about getting a notebook without a specific task in mind. There’s the sky’s-the-limit joy of speculating about potential uses, and the joy of experimentation, then the joy of discovery when you find the use that fits…

Mind you, I’m not trying to endorse mindless consumerism here (buy now! think later!). I just think it’s nice to be open to possibilities.

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What’s the best way to view online art?

Posted July 10, 2009 by Leah Hoffmann
in Pens, Paper & People | 8 comments »

paint

We just started working with Wet Paint Art in very cool pass-around project. Here’s the plan: we send them a Clairefontaine sketchpad, and they ask the artists that visit their store to draw, paint, watercolor, etc. on one of the pages. As each page is completed, Wet Paint Art sends us digital pictures of the work along with a bio of the artist, and we put it up online.

Question is, where do we share all this fabulous art with our fans? A Flickr group? Here? On a new blog that’s dedicated to the project?

Next question: if we were to pass around another art book—I imagine it would have to go through the mail, but who knows—would any of you like to participate?

Thanks!

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