Posts Tagged ‘artists’

Calligraphy in Quebec: Gestes d’encre

Posted August 10, 2011 by
in Announcements, Beautiful Creations | Add your comment »

We’ve featured the work of calligraphy artist Lorna Mulligan here before. Now through the 4th of September, she and fellow members of the Les Calmars calligraphy group are exhibiting at Carrefour Culturel in Baie-Saint-Paul, Québec. By way of preview, Lorna sent us the following two pieces, entitled L’océan and Le ciel (click to enlarge):

Of them, she writes:

My pieces are on handmade paper (Saint-Armand) using Herbin inks, sumi and gouache… All of my pieces for this exhibition are based on fragments of text taken from Victor Hugo’s Contemplations, a collection of thoughts, poems and reflexions, published in 1856. His evocative words conjure up images of nature and landscape for me, becoming gestures of ink.

Must be something in the air.

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Behind the art: Amanda Vissell’s posters

Posted December 8, 2010 by
in Beautiful Creations, Pens, Paper & People | 1 comment »

It was a pleasant surprise to see artist Amanda Vissell’s posters for girls featured on BoingBoing the other day, and reminds me that I’ve been meaning to post these sketches she shared with Karen.

Looks like some were done on Clairefontaine sketching paper, and some on a Rhodia Dot pad. Be sure to click through to see the larger versions! And check out the finished posters, if you haven’t already done so.

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Dalton Ghetti’s amazing pencil-tip sculptures

Posted August 5, 2010 by
in Beautiful Creations, Cabinet of Curiosities, Pens, Paper & People | 1 comment »

Whoa, this is pretty incredible: the Telegraph has a new picture gallery of Brazilian-born carpenter Dalton Ghetti’s remarkable pencil sculptures. From a boot, a button, and a saw to an entire miniature alphabet, the sculptures themselves are mind blowing. Even more amazing, according to the accompanying text:

Dalton uses three basic tools to make his incredible creations – a razor blade, sewing needle and sculpting knife. He even refuses to use a magnifying glass and has never sold any of his work, only given it away to friends.

Dalton, if you’re reading this — any chance we can be friends? I’ll ply you with Rhodia pencils, and send you all the notebooks you want…

Via BoingBoing.

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Calligraphy & tea: An interview with The Archer

Posted June 17, 2010 by
in Beautiful Creations, Pens, Paper & People | 3 comments »

Photo by EJ Azucena; styling by Kristine Grace L. Natividad and Donna Bae Malayang

Many of you know Clement Dionglay from her blog, Rants of the Archer. I caught up with her recently to ask a few questions about her background, life, and hobbies…

Tell us about yourself… where are you from, where do you live, and so on?

I’m Clement Dionglay, a.k.a The Archer, the person behind Rants of the Archer blog. I was born in the sleepy town of Alaminos, Laguna, a big province south of Manila, the capital city of the Philippines. I am currently based in Los Baños, a small, closely-knit science community in the same province where I grew up; where I am currently engaged as a publications designer and electronic list keeper in an international organization. I am currently working on a degree through distance learning that I am scheduled to finish in a year. I’m a doting aunt to four girls aged 1 to 10, and an avid hoarder of a lot of stuff.

How did your passion for pens and paper develop?

My passion for pens and paper developed at a very early age. I was writing (and reading) long before I started schooling. My maternal grandmother was an elementary teacher, and had lots of paper I used to doodle on. I even had hand-me-down notebooks from my aunts and these were my first notebooks. My aunts supplied me with pencils and other stationery (scented erasers, colorful Sanrio stationery) and that I guess became the starting point of my longest love affair – that with pen and paper.

When did you start practicing the gorgeous calligraphy that we see on your blog?

I started doing calligraphy only very recently. I forced myself to learn the art after I received my first 2 bottles of J. Herbin ink out of the Bastille Day offer last year. I was about to write a review of the inks and I wanted to come up with a little extra aside from my regular handwriting, so I took out my Lamy Joy set and downloaded a lot of Chancery calligraphy guides from the internet. And I found out it wasn’t even difficult at all!

What are your favorite pens at the moment? Your favorite notebooks and inks?

I love Sheaffer pens. I got several NoNonsense pens and I love them. They are dependable, durable writers. But my daily stable of pens also include Schneider Base pens and several Lamy Safaris. I love blue and brown inks — Bleu Pervenche reminds of somebody’s dress, Terre de Feu of somebody’s eyes. I keep a large Quo Vadis Habana as my journal, and despite its weight, it’s currently my favorite notebook.

Which pens have surprised you most over the years, either positively or negatively?

My pens are mostly student grade pens. I love them all because they function well, and I am able to use them fully. What surprised me the most is the set of two Manuscript calligraphy pens I got from a store selling used clothes and shoes. I got the set for P50 (a little over $1) and did not like them at first because they have crisp italic nibs. After I learned doing Chancery calligraphy, I found out that these pens do fantastic work! So much value for their price.

I understand from your blog that you’re an avid diarist. Do you have any particular writing routines — a certain place, time of day, etc.?

Yes, I love writing in my diary/journal. I have a strange preference of where to write: on my dining table! LOL! Seriously though, I write, do craft, paint and even sew on my dining table. I don’t remember how this strange practice started, but I love using the dining table, perhaps because it’s bigger than my study/work table. I love to write at night, when I’m done with most of my chores and the neighborhood gets some semblance of calm and quiet. I like to write in silence. I always have. Silence brings me so much: words, emotions, remembrances — even sound. Writing has become ceremonial for me. Almost ritualistic. I like to write after my night bath, with a mug of steaming hot tea next to me. While I’m a coffee drinker, I love sipping tea at night, and I like it steaming hot because I love the aroma of tea filling the room. My journal entries always begin with the day and the date. I also include the pen and ink I am using for the day’s entry. Sometimes I also listen to late night jazz while I write.

To learn more about Clem, please visit her blog.

To learn more about EJ Azucena of EDGE photography, check out his Facebook page.

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Color and line: The art of Christian Skagen

Posted February 24, 2010 by
in Beautiful Creations, Pens, Paper & People | 1 comment »

Karen recently struck up a conversation with Norwegian artist Christian Skagen, who shared some of the vibrant ink-and-hot-pressed-paper drawings he’s been making for a series entitled “Horizontal Fields.” Here, for example, is a drawing Christian made with a Sailor Sapporo EF, 300gsm Arches HP, and J. Herbin’s Rose Tendresse:

Here are close-ups of the three works that are framed at the top of this post (be sure to click the image to see a larger version and appreciate the full intricacy and texture of the lines):

Continue reading »

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On quilting and other artforms

Posted August 7, 2009 by
in Pens, Paper & People | 5 comments »

marieKaren recently spoke with quilter and art blogger Marie Johansen of Zquilts. Here are her thoughts on inspiration, textiles, and creativity…

1. How do you come up with your ideas? What inspires you, and where do you go to get inspiration?

Obviously my beautiful, nature filled, surroundings have a huge effect on my inspiration, but I seem to just get ideas in dreams at times (where the idea for using the inks came from last night) or ideas will just pop into my head. Gosh! That sounds kind of corny I think! Sometimes, when I am having a “dry” spell or frustrating time with a project, I start doing something in a different medium and a solution to the problem will surface. I get pretty snarly if I can’t do something ‘art-full’ every day and even the judge has finally gotten used to me knitting or sketching through staff meetings! It took him about 8 years to figure out that I concentrate better on the ‘drier’ topics at hand when I can do some handwork during the meeting!

2. How do you design your artforms—on paper, on computer, or just from your hand to fabric?

Continue reading »

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A Brooklyn waterfall

Posted June 25, 2008 by
in Cabinet of Curiosities, Where to Go? | Add your comment »

brooklyn-waterfall.jpg

In honor of the 125th anniversary of the opening of the Brooklyn Bridge, Danish artist Olafur Eliasson has designed four man-made waterfalls to run down underneath the bridge’s two main towers.

The waterfalls will be turned on tomorrow and will remain on till Oct. 13 between 7 a.m. to 10 p.m. You can learn more about the project at its official website; for my own part, I can’t wait to see it!

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Picture pages, picture pages

Posted April 11, 2008 by
in Pens, Paper & People | Add your comment »

verdoux.jpg

More art inspired by Clairefontaine

Jeanne Verdoux is a French artist and graphic designer who lives in Brooklyn. For her latest series of drawings, she worked with Clairefontaine paper—along with ink, wire and other materials—to create lighthearted, whimsical scenes that jump right off the page.

Jeanne’s art has been exhibited in New York and Paris, and will be featured in an upcoming show at the Bronx Museum.

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Who is Claire Fontaine? (II)

Posted March 31, 2008 by
in Cabinet of Curiosities, Where to Go? | Add your comment »

claire-fontaine.jpg

Clairefontaine is a French company that makes paper for all Quo Vadis planners. As Karen explained last year, many people believe that the company was named after a real person, “Claire Fontaine,” but in fact the name simply comes from the site where their paper mill is located—the town of Etival-Clairefontaine.

As it turns out, there is a person named “Claire Fontaine,” or at least someone who uses that name: a French ready-made artist who re-purposes found objects and works in neon, video, sculpture, painting and text. She just took part in an exhibit at New York’s New Museum (closed yesterday, unfortunately), and according to her website, she’s currently preparing a book about the concepts of ready-made artistry and her own notion of “human strike.”

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