Archive for July, 2011

Friday review roundup

Posted July 29, 2011 by
in Product Reviews | 1 comment »

Today we’ve got a take on the Habana that came up in the comments to a recent post, a review of J. Herbin ink, and some thoughts about handwriting and G. Lalo.

  • SheilaM on the ivory Habana: “Preferences are a funny thing… I want white paper for journals – and yet I was writing a letter to a friend on Crane’s stationery that is essentially the same color, with which, for correspondence, I am quite content.”
  • The Pen-Guin on Poussiere de lune: “A lovely purple ink that… reminds me of grapes… more like grape juice, actually.”
  • Palimpsest on handwriting: “Confronted with this exquisite paper I become reticent. There is pressure. G. Lalo invites me, nay demands of me, to perform not only my best handwriting but also to put down my best thoughts lest I defile with meaningless outpourings the ribbed writing surface, and what then? Erasure is of course impossible.”
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On vacation

Posted July 28, 2011 by
in Editorial | Add your comment »

Summer is prime vacation time, and though I was in Norway not too long ago, I’m already looking forward to our upcoming trip to Westport this August.

Growing up, my family rarely took vacations. We’d take trips to see my mom’s relatives in Wisconsin and my dad’s relatives in Germany, but while we often squeezed in vacation-type activities (Wisconsin Dells, museum visits, and sightseeing), and our trips took place during school breaks (my dad was a professor), it was never billed as “time off,” with the exception of a trip to Disneyworld one Christmas… during which Orlando was unseasonably cold and my mother suffered debilitating asthma attacks.

As a freelancer, I still have trouble with the concept of vacation, though I try to take them now. I’m sure I’m not the only one — work is so portable, job definitions have swelled, and you’re rarely in a place where it’s impossible to get in touch. It isn’t hard for me to refuse new work requests that come in when I’m on vacation, but it’s tough for me not to keep working on projects whose timelines simply spill over for one reason or another.

How do you manage vacations?

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Ivory Habanas: Reviewers speak

Posted July 27, 2011 by
in Pens, Paper & People, Product Reviews | 2 comments »

I’ve been collecting people’s thoughts on the new ivory-paged Habanas in our weekly review roundups, but here’s a more comprehensive look at the reactions we’ve seen across the web…

First of all, several people (myself included) have noted that the color is more “cream” than “ivory.” Unfortunately, it’s not a description that’s easy for us to change in our product packaging and marketing materials, but… duly noted. Whatever it’s called, I can’t say we’ve changed the minds of any passionate white paper lovers. I can say we’re very grateful that people have given the new shade a chance, and we hope it will still have a place in their notebook collections.

Of course, some folks prefer ivory to white. In an ideal world, we’d find a way to satisfy everyone, but given the economics, I can’t promise anything.

One thing our reviewers were relieved to discover is that the switch to 85g paper did not render the Habana fountain pen unfriendly. “I didn’t notice any significance in the performance of the two papers,” said Brian Goulet in a video review. Some reviewers noted a slight increase in showthrough (which Goulet rather poetically calls “ghosting”). In the words of our friend Beth, this is “Not enough to keep you from writing on the back of the page. But enough to cause a little eyestrain if you will be transcribing what you write to your computer at a later date.”

As for the narrower ruling on the new large Habanas, that seems to be a matter of personal preference. Though as Note Booker, Esq. figures: “By narrowing the ruling and leaving less blank space above and below the ruling at the top and bottom of the page, each page now has 40 lines for writing instead of the 26 on the previous version. That’s more than 50% more lines on the same size page, or the equivalent of adding 40 sheets to the notebook!”

In no particular oder, here’s a list of the Habana reviews that we’re aware of thus far:

If you’ve written or read a review that we haven’t posted here, please let us know! And thanks again for all your feedback.

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Visual writing

Posted July 26, 2011 by
in Pens, Paper & People | 1 comment »

From my French counterpart, Murielle, come some things that I thought were worth sharing: a short film about dingbats by typographer Lucy Brown, and the wonderful website of London publisher Visual Editions, where they “think that books should be as visually interesting as the stories they tell; with the visual feeding into and adding to the storytelling as much as the words on the page.”

It strikes me that this isn’t dissimilar to the sort of visual journaling that some of our you do… finding new ways to represent things, exploring different visual concepts, etc.

What do you think?

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Friday review roundup

Posted July 22, 2011 by
in Pens, Paper & People, Product Reviews | Add your comment »

We’re keeping it in the family today with some reviews of other Exaclair products…

  • Rochambeau gives a shout-out to G.Lalo and Clairefontaine in her list of creative paper goods.
  • Jennyo posts luscious swatches of J.Herbin, now available in the Philippines (thanks, Clem!).
  • And last but not least, Metro Journalist reviews the Rhodia Meeting Book.
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Congrats to our winners!

Posted July 20, 2011 by
in Announcements | 4 comments »

Thanks again to all who entered our Bastille Day giveaway… here are the lucky souls who’ll get to play with Victor Hugo’s ink:

  • Ramon
  • m. janine
  • Andrew
  • Sarah
  • Chris
  • Sara
  • Stacie
  • Lis

If you’re on this list, I’ve already sent you an email with details about claiming your prize. If you’re not… well, our next giveaway is coming up at the end of next week, so check back and better luck next time!

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Digitizing the classics

Posted July 19, 2011 by
in Editorial | 2 comments »

There’s a lot that I love about my Kindle, but a few things I still have reservations about, as well. Many of them seem like the sort of things that will be fixed and refined over time: the keyboard drives me nuts (I keep on inadvertently pressing the space bar when I hold it in my lap), as does that second-long lag when you go from one page to the next. Pressing a button to change the page seems absurdly inferior to the swipe-style tablet interface — probably because it’s less book-like — but I’m guessing it won’t be long before Kindle offers a tablet version, too.

Less trivially, I cannot wrap my head around the lack of pagination. I know it’s hard with so many different devices and screen sizes, but there are just too many location numbers in one book for the number to be meaningful or memorable.

Finally, there are just things that printed books do better. For the past few weeks, I’ve been tackling War and Peace on the Kindle, and while it’s great not to have to lug around the heavy printed tome, it’s also surprisingly difficult to navigate around the text. I have been frustrated to no end by the fact that I can’t simply use my finger to hold my place and flip back to the part at the beginning that lists the characters, their relationships, and their alternate names. Sure, I could (and have) bookmarked that section electronically, but it’s at least three clicks to get there.

Similarly, to get to a footnote, I have to click, click, click, click with the cursor till it’s at that line, click, click over to the asterisk, making sure I don’t go too far or inadvertently start highlighting, click the asterisk, wait, read the footnote, then click the “Back” button and continue reading. And heaven help me if I want to flip back to the previous chapter to remind myself of something that happened! I never thought my thumbs would feel this under-utilized.

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The making of… customized planner covers

Posted July 18, 2011 by
in Videos | Add your comment »

Here’s a final video from the series Cecilia took at our plant in Montreal, which shows covers being hot stamped with the logo of Grande Prairie Regional College in Alberta, Canada.

Hot stamping is a process in which an engraved image, or die, is heated, then forced down against a cover with a marking foil sandwiched in between. Where the die meets the cover, the ink from the foil is left behind.

If you’d like more information about customizing covers for your company or organization, check out our Customization Wizard, which lets you explore options and submit an inquiry.

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Bastille Day ink giveaway

Posted July 14, 2011 by
in Announcements | 67 comments »

Usually, we do a red-and-blue ink giveaway in honor of Bastille Day. This year, after finding some old bottles of the black ink that J. Herbin made for Victor Hugo (and remade in 2004), we decided to shake things up. We’ve got 8 extra bottles to give our lucky readers — cross your fingers, hope to win!

Remember, this is NOT a fountain pen ink, so Karen will include a Brause nib and holder with each prize.

To enter, leave a comment on this post before Tuesday, July 19 at midnight EST. As usual, we’ll select winners at random, then follow up via email to get everyone’s mailing address.

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Victor Hugo’s ink

Posted July 13, 2011 by
in Beautiful Creations, Cabinet of Curiosities, Pens, Paper & People | 9 comments »

Usually, it helps to take claims of historical authenticity with a grain of salt… That famous dead writers used your notebooks, for example, or that James Dean wore your khakis.

This is closer to the real deal. In 2004, J. Herbin discovered an authorization in its archives by the writer Victor Hugo to produce a black ink especially for him. The authorization remains in the archives, but the recipe has since been remade into a couple of bottles of ink. Karen managed to get her hands on one of them, and was then kind enough to pass it along to me.

This is not a fountain pen ink; Hugo wrote with goose quills, though steel nibs were becoming increasingly popular. Personally, I haven’t had much luck with feathers, but that did not put me off from trying it out with a glass pen. And what fun it was! The ink is shiny, dense, and saturated. It pops on bright white Clairefontaine and looks handsome on my ivory Habana, too. Because it’s so thick, you have to be a little more careful about bleed-through, and clean your pen carefully (and immediately) after you’re done. Still, it’s an awfully fun ink to play with. About the only complaint I have is that the bottle cap’s a bit finicky and is tough to get off and on.

There aren’t very many bottles left, but if it’s something that interests you, please let us know in the comments, and we’ll ask Herbin if they’d be willing to make more.

Here’s a picture of the bottle:

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