March 11th

We often hear from people who are trying to decide between several different planning formats, or who’ve used a particular format for years but have always been curious about another one. As a Business user recently explained: “I still love the others and am pondering excuses to use them all, somehow.”
I totally know the feeling — I’ve been a Sapa X user for years, but have always wondered if I should try a format like Space 17 or Rhodia, with weekly note-taking space. Still, my jury-rigged time management system doesn’t make me feel like I *need* weekly note-taking space, so never I’ve indulged the curiosity. Though I did just find an excuse to use a Monthly 4!
What do you do when you see a new format that you like? How do you decide whether or not you’re going to switch?
March 9th

Our weekly planners are more popular than our daily formats, but daily has its core users. One recent convert wrote in with an interesting rationale:
As I was starting to fill things into my planner I was like: wow, this is so much less stressful looking than my old planner was.
Daily planners are more “stress-less” because you can use them with a “one day at a time” mentality.
As always, it depends on your particular habits and schedule, but I thought it was a very good point!
March 8th

It’s difficult to imagine that we had 20+ inches of snow last weekend, cause this weekend was beautiful: sunny, clear, with temperatures that had you peeling off gloves and scarves and even coats as you walked around.
I’ve been dreaming of spring ever since last summer, which seems to be something of an occupational hazard of gardening. This year, I’m prepared for it, too. I’ve already decided what I want to grow and ordered my seeds. I’ve also figured out exactly when I should start them, thanks to this nifty new Monthly 4 planner Karen gave me. In the past, I usually waited until the weather was warm, then scrambled to get my seeds started. Thanks to the Monthly 4, I’m already ahead of the game, and my tomatoes and brussels sprouts are sitting in peat planters on the windowsill.
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March 4th

Chet Chin recently tipped us off to a cool idea for setting and sticking to goals: a small, downloadable booklet that you fill out, fold up, and carry in your wallet to remind yourself of, say, your financial goals and educational goals and so on. There are six categories in all — including one blank one — and enough space to list five goals in each category.
Chet decided to paste the categories into the notes pages of her customized planner rather than carry the card in her wallet. That made plenty of sense to me, because really, who needs another piece of paper in their wallet, gathering lint and dust? It also turns her planner into a nifty goal-tracking tool, because she can flip to those pages whenever she needs some inspiration:
Besides writing down the goals, I plan to write down the progress of meeting those goals. Which would make the “Notes” section a log of sorts.
Neat idea, eh?
Image via.
March 3rd

We just got a couple new images from Christian Skagen’s “Horizontal Fields” series, which we blogged about last week (with my apologies for having flubbed the title; sorry — it’s “Horizontal Fields,” not “Horizontal Lines” as I first wrote).
Anyway, click through to see some pieces Christian made with J. Herbin Rose Tendresse and Bleu Azur and a Pelikan M250 EF:
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March 2nd
All 2011 planners with Club or Soya covers will be sold with an elastic bookmark. The bookmark also works as a ruler with measurements in inches and cm. The reverse side has “Quo Vadis” in several different languages. “Quo Vadis” means “Where are you going?” – a good question for planning your time.

Bookmarks can be sold separately by retailers if they choose to buy them. They are sold in a pack of 10.
I have a few extra in the office I would be happy to send to our QV blog readers. Please send us a quick note with your mailing address via the Contact Us form on the blog.
You can have a look at photos of them here.
March 1st

Karen sent me a few sheets of Clairefontaine DCP paper in the fall. DCP (which stands for “Digital Color Printing”) is a thick, white, glossy, A4 printer paper, and it’s apparently designed for printing photographs and other color graphics. It comes in ivory, too, and can also be used, Karen told me, for bookmaking.
I don’t have a color printer, and I haven’t tried to make a book since the 3rd or 4th grade. Frankly, I found the A4 size a little awkward at first, since it’s thinner and longer than standard American paper and didn’t really fit into any of my binders. So I stuck it in a folder and forgot about it until this weekend, when I needed to customize an old tea box for a present and didn’t have time to go out and get the proper supplies.
DCP, it turned out, was just the thing for the job. I wanted something I could write on (so decoupage was out), but I also needed paper that was thick enough to hide the images on the box I was reusing:
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February 26th

Proud as I am of my garden in the summer, the yard really never looks better than it does in the snow, with icicles hanging down from the old, rickety shed and white mounds covering the fence… And check out the wall that greeted me when I opened the door this morning!

Now that my Internet connection has finally been restored, here’s wishing everyone on the East Coast a happy last-blast-of-winter…
February 25th
We talk a lot about writing on this blog, and inspiration and creativity. But I’m wondering: what are you reading?
I just finished Janet Malcolm’s awesome work on the relationship between authors and their subjects, The Journalist and the Murderer, whose smart analysis of the story behind Fatal Vision is relevant to both fiction and non-fiction writers. Before that, Rebecca Goldstein’s Mind-Body Problem. I’m not sure what I’ll read next.
What about you?
Image by Wonderlane.
February 24th

Karen recently struck up a conversation with Norwegian artist Christian Skagen, who shared some of the vibrant ink-and-hot-pressed-paper drawings he’s been making for a series entitled “Horizontal Fields.” Here, for example, is a drawing Christian made with a Sailor Sapporo EF, 300gsm Arches HP, and J. Herbin’s Rose Tendresse:

Here are close-ups of the three works that are framed at the top of this post (be sure to click the image to see a larger version and appreciate the full intricacy and texture of the lines):
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